Lavender Flu: “Prolific Portland Deadheads go into the NU SHOOZ studio and make something truly special. I wonder if these guys are into SIMPLY SAUCER, because to my ears Barbarian Dust has that kind of spaced-out, mantra-like proto-punk sound that I like in Cyborgs Revisited. The warped, string-raking of “Hair Lord” sets a pummeling tone before yielding to the more mid-tempo psych-pop of “Mow the Glass.” The whole record is full of so many good and surprising ideas. Unlike the more deconstructed-sounding (and also excellent) Tomorrow Cleaners, everything here sounds perfectly in place, even the tunes that end abruptly. It’s like it was meant to be even when they’re adding elements that are not typically punk. Is that an EBow on “Keyboard Christ”? It still works! To say nothing of the VENOM cover. I have listened to this so damn many times and the various sonic turns it takes are burned into my brain forever. I think people will still care about this record ten years from now.” –maximumrocknroll

CAD & the Peacetime Consumers: “This ripe ripper from Detroit has been hounding the stereo for the past couple of weeks and it’s as raw a slice of motor city rock as you’re likely to hear in 2023. Built out of the city’s penchant for quarter-draft trog-rock mayhem, Christopher Alan Durham and his assembled Consumers set the sandpaper to work on the fidelity and let these nine nuggets of pelvic punk and barnacled R&B rumble where they wanna. There’s more to the mayhem than bites at first blush, though. While the record is littered with whiskey wailers covered in a thick nicotine haze, “Bite Down” sees a juxtaposition of psych-folk flutes hit the mix. “Party Store” breaks down in the dawn light like Johnny Thunders’ most sensitive strummers and there’s an almost country amble to the mop water wallow of “Trips.”” –ravensingstheblues