Sep
12
8:00 PM20:00

Jamiel Dado • Sodra • Sunil Swani

Born in Detroit, Jamiel Dado is a singer-songwriter who has worked across genres for over 25 years. His voice catches in unexpected moments of beauty, where melodic singing turns to primal screams. Jamiel's lyrics push against ideas of faith, listlessness, and cinematic longing.

“The opening line of Sodra’s Spider Mother is a statement that introduces a central theme of the record. “It’s happening, you don’t have to understand it” she sings in a voice both plaintive and hopeful. It is also a kind of heuristic for the songwriter: while understanding may not be necessary, in these ten songs she attempts to understand a great many things. This is an honest and probing record that confronts depression, loss, and the intractable mysteries of the heart.” –themuiscofamericana.net

Sunil Sawani is an indie musician and songwriter with a DIY ethos, known for his eclectic pop-rock music. He has been active in the independent music scene for several years, releasing various albums and EPs through platforms like Bandcamp and Apple Music. His work spans a wide range of themes, blending thoughtful lyrics with melodic, guitar-driven sounds.

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Sep
13
8:00 PM20:00

The Muggs • Electric Bug • The Bungalows

The mighty; The Muggs, Detroit’s best-known blues band and elder statesman of rock return to the Outer Limits Lounge for a blistering September night performance!

“If you've followed their 20-year run as a band, then by now you might already have your own idea of what the Muggs sound like. But I realize I was wrong. Because what it comes down to is a pair of lifelong best friends simply following their hearts toward whatever sound felt truest and most invigorating for them, first and foremost. And it's the heart that comes through most of all; what winds up happening is the band's passion for Beatles-esque melodies, '60s pop harmonies, and sludgy '70s electric blues powerfully transmits” –metrotimes

Electric Bug is a garage/psych rock band based in Detroit. Alexander Jarmoluk, Arlo Betley, Merrick Deluca, and Revi Deluca, combine vintage combo organ tones with rock and punk influences drawn from a variety of eras.

The Bungalows

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Sep
14
8:00 PM20:00

Caley Conway • Connor Lynch • Twin Deer

Caley Conway “when the ever-busy Milwaukee singer-songwriter finds herself caught in the humdrum duties of daily life. There are things to do—or not—people to see—or not—and the ones and zeros of technology to attend to. And then, suddenly, she’s off and dreaming, belly laughing with a distant friend or considering taking up “the work of birds.” When she comes back down to Earth, more often than not, she finds bliss in a comforting middle ground. “There aren’t enough hours in the day, I’ve counted,” Conway sings early in the record, before slyly adding, “For loving you.”

Dreams, and the sometimes lovely, sometimes painful realities that anchor them, are subjects Conway knows a thing or two about. The past decade has found her cutting a constant but elusive figure in the Milwaukee music scene and beyond, sharing local stages with Field Report and Julia Blair, sharing national stages with Phoebe Bridgers and Julien Baker, and releasing a steady stream of stellar solo work. Twenty-twenty-one’s Bliss Or Bust featured three tracks of wry, head-in-the-clouds indie folk. Only A Dark Cocoon, released in late 2022, untangled Joni Mitchell’s classic “The Last Time I Saw Richard” and reconfigured it into three original songs of hazy and jazz-inflected post-rock. Dusty country ballads and cheeky odes to cheese populate the discography margins.”

“Slow Country,” the latest single from Detroit-based singer/songwriter Conor Lynch, takes the listener to a cool, breezy place to help them forget their troubles and pass the ever-decelerating minutes. Structurally simple, the song sleepily glides through four quick vocal lines accompanied by fuzzy acoustic guitar tones and wistful pedal steel to amplify the calm and collected feelings evoked through the lyrics. Despite the textures of the track being rather thin, the instrumentation employed by Lynch only adds to this theme of simplicity. The line “Don’t know how long I can stay / ‘Least a minute lasts an hour in this place” perfectly articulates the feeling of sitting down with this gentle country jam – your troubles melting away for what feels like much longer than two and a half minutes. This feeling is amplified even further when watching the beautiful one-take music video that accompanies the single, in which the camera slowly pulls out from a close-up of Lynch to reveal a sea of bright orange trees perched on the edge of a Detroit cityscape. Lackadaisical, nostalgic piano notes fade in, mirroring the dominant guitar line as the song concludes, and all that’s left to do is hit replay for another few minutes of bliss.” –swimintothesound

TWIN DEER, AN INDIE POP GROUP HAILING FROM DETROIT, IS KNOWN FOR BLENDING POWERFUL POETRY WITH IRRESISTIBLY CATCHY MUSIC. LED BY SINGER-SONGWRITER MEGAN MARCOUX, THE BAND'S UPBEAT SONGS CREATE A VIBRANT AND ENERGETIC ATMOSPHERE, MAKING THEM THE PERFECT SOUNDTRACK FOR A DANCE PARTY.

WITHIN THE TWIN DEER REPERTOIRE, YOU'LL FIND SONGS THAT DELVE INTO THE COMPLEXITIES OF LOVE, LIFE, AND LOSS, EXPLORING THE FULL EMOTIONAL SPECTRUM, AND OFFERING A PROFOUND AND RELATABLE MUSICAL JOURNEY. THE COLLECTIVE TALENT OF MEGAN MARCOUX, TOM SKILL, BILL KAHLER, AND ROB DUNCAN WEAVES A NARRATIVE THAT DEEPLY RESONATES WITH LISTENERS.”

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Sep
17
8:00 PM20:00

Autopolitan • Will Lorenz and the Mind Stuff • Callie Simon

Autopolitan (the band AND the album) have the appeal of mixing grit with early 2000’s new wave / garage rock trends, which ends in a place of “wow this is depressing, but MAN do I want to dance to it!” The album starts off with “As It Were”, which sort of sounds like The Strokes doing a Joy Division impression, which I never really knew I needed to hear until I was graced by the presence of this excellent work. This “sad garage rock” vibe continues throughout most of the album, but I must make it clear that the songs stand on their own. Many albums fail to create separation between the individual tracks, which basically makes me feel like I listened to a really long jam session that should be cut down to about 8 minutes of ear-catching material. “autopolitan” is a great example of the opposite, an album in which each track stands on its own while also maintaining a consistent atmosphere.” –musicianstakenote.blog

Will Lorenz and the Mind Stuff is the brand spanking new solo effort from the mind stuff of Stools frontman, Will Lorenz.

Callie Simon will be stepping out from behind the sound booth for a solo set of psych folk creations of the highest calibur.

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Sep
23
8:00 PM20:00

Good Flying Birds • Dead Nettle • Alice & Allison

Good Flying Birds is the new name for a musical collective that has been posting tracks over the past year as Talulah God. Based in Indianapolis, the band has been steadily building a devoted following since 2021. Known for releasing their music online, they’ve become a cornerstone of the indie pop scene, blending heartfelt songwriting with a DIY ethos. Their latest release, Talulah’s Tape, compiles home-recorded tracks from 2021 to 2024, capturing the evolution of their raw artistry over the years. The 16-track collection reflects the intimacy of home recording while embracing the charm of timeless indie pop. Despite its origins as scattered demos, Talulah’s Tape feels cohesive, offering a glimpse into the heart of artists who know how to craft enduring melodies. Drawing inspiration from both classic and contemporary indie, this album is a bright, uplifting experience for fans of melodic, jangly guitar pop… The album leans heavily on jangly guitars, lo-fi production, and breezy harmonies that evoke the spirit of indie pop’s formative years. It balances a nostalgic aesthetic with a modern sensibility, seamlessly blending influences from classic style twee pop, ’90s indie rock, and early 2000s carefree sounds. Male/female vocal interplay and intricate, understated arrangements add undeniable charm.” –thefirenote

Dead Nettle

Alice & Allison is a mysterious new project from Fred Thomas and Val from Dick Texas.

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Sep
26
8:00 PM20:00

Infinity Knives & Brian Ennals

"They thrive on the chaos of an unforgiving world." - Pitchfork

"Unabashedly political and DIY." - Loud and Quiet

"The poster boys for alternative and experimental hip-hop." - The Quietus

Baltimore-based experimental hip-hop duo Infinity Knives and Brian Ennals embody this ethos of cutting through pretense with their raw, unfiltered creativity and incisive commentary. Known for their boundary-pushing DIY approach, the duo has achieved a cult-level following experimental hip-hop, blending chaotic, genre-defying production with unapologetic social critique and dark humor.

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Oct
1
8:00 PM20:00

Friendly Spectres • Sree Kota • Rose St. Germaine

“Many bands spend their weekends playing shows in basements and at DIY venues around town, making noise into the wee hours of the morning. Other bands embody what it means to be DIY around the clock. One such artist, the synth-heavy solo project of local Madison musician and DIY advocate Cam Scheller-Suitor, is Friendly Spectres.

Friendly Spectres is a lot more than a single musical idea. For Scheller-Suitor, the project has become a way to experiment with every inspiration he finds around him. From jangly acoustic guitar to assorted synths and even screams and shouts, he always finds a way to incorporate new sounds into the next song. “I just sort of started from scratch and went for it. It took me a long time to figure out what I was doing. I still don't really know what I'm doing, but it's a lot of fun to make!” Scheller-Suitor explains.” –emmiemusic.com

Who doesn’t like Sree Kota?

Rose St. Germaine brings you face-to-face with a world where nothing “is” purely wrong or right.”

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Oct
3
8:00 PM20:00

Smokin Moses • Winds of Neptune • Joey Gaydos Jr.

“Brothers and Sisters, I am here to testify. The power of the almighty riff lords Smokin Moses laid their hands upon me… Dear people, they spoke to me with a tongue of fire. Not unlike the prophet Moses, when the Lord spoke to him through a burning bush, I’m here to tell you friends that the glory of the mighty riff has saved my soul! Hallelujah!

Seriously, the power of rock music turned the stage… into a musical altar. It felt like heaven to hear each band exclaim the power of rock music: every beat, every note, every word emitting the bristling energy of pure rock fury.” –lifeinmichigan.com

Winds of Neptune delivered a sonic sermon of epic proportions… Forging an iron foundation of burly bass and snapping drums are Ross Westerbur (bass) and Mike Alonso (drums). Upon this firm footing, guitarist Kevin Roberts levels a barrage of riffs and sin-eating licks. Ross’s soaring vocals add to the fervent need induced by the music. All I could do as I watched and listened was shake my head in awe-struck wonder. If you dig hard-hitting 1970s-era bands such as UFO and Captain Beyond, or more modern incarnations like Earthless, you need Winds of Neptune.” –lifeinmichigan.com

“For over 20+ years, Joey Gaydos Jr. has been playing guitar on stage, on screen and in the studio. From Detroit to Tokyo, he has worked in numerous styles and genres, in capacities ranging from hired session player to cowriter, producer, multi-instrumentalist. First seen playing his guitar as "Zach" in the Paramount feature film School of Rock, Joey has also provided lead guitar for artists such as Paradime, Stereo Jane, Uncle Kracker, Keri Lynn Roche and many more. He is currently working on his own genre-fluid solo music, playing in the group Never Sorry, doing sessions and leading his own trio. Steeped in blues, deep groove and psychedelic music with an ear for improvisation, Joey's searing guitar playing and choice selection of electronics is the truth that he expresses with each performance.”

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Oct
4
8:00 PM20:00

Michael Beach • Cheddar

Australia’s adopted son and and Goner records recording artist Michael Beach: “If you’ve given up hope of finding anthemic-yet-arty guitar rock for grown-ups that doesn’t condescend to your intelligence in either direction, add Michael Beach’s Big Black Plume to your wish list. A Melbourne underground stalwart originally from California, Beach has been releasing sick psych-tinged shit for years—just listen to the modular synth majesty that is Drain Brugs. On Big Black Plume, he enlists similarly-minded melders of rock and the avant-garde (members of Tropical Fuck Storm, Comets on Fire, the Dirty Three, and The Necks all make appearances) to help whip up a rollicking longform opus free of musical inhibitions and beholden to no rules. Here you’ll find crunchy riffs dissolving into brainy experimental passages, blousy love songs brushed with resonant electronic elements, spare piano melodies undercut with thin currents of drone, and rousing hard rock ballads with a zillion guitar overdubs melting into shimmering puddles of sunbaked psychedelia. Tune in, turn on, turn it up.” - Bandcamp “Cool Band Alert” July 2025

Everyone’s favorite new supergroup Cheddar is back on the OLL stage! (feat. members from Day Residue, Eck, and more)

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Oct
10
8:00 PM20:00

Cruise Control • Lothario • Fen Fen • Mod Lang

Cruise Control is a delightful blend of country and pop, of rock and shoegaze—and a real kick in the teeth. Each band member is an entertaining performer, the group’s chemistry is charming, and their lyrics? Refreshing.

What’s sweeter still are the harmonies between the band’s two guitarists: Portland-born Lee Butterfield and Izzy Dupuis from Connecticut, the band’s main songwriters. Butterfield and Dupuis first formed the band during the pandemic, when their punk bands All Hits and Trash, respectively, could no longer play in public and soon dismembered.” –wweek.com

“Australia’s Lothario storms forth as an unrelenting rebellion, a sonic revolt against the banal, born from Melbourne’s restless nights and the razor-sharp vision of Annaliese Redlich. This post-punk powerhouse tears through the mundane with raw, reckless anthems that howl for the bored, the brazen, and the broken.

Conceived in a November haze of 2022, Lothario channels the fevered pulse of late-night hedonism, grappling with themes of lust, betrayal, and liberation. Redlich’s songs bleed catharsis—drunk on discontent and bruised by betrayals, they lash out with fiery intent.

From the confines of her living room, where every instrument but the drums found its voice, Redlich conjures a sound bristling with immediacy. Love letters to outcasts and odes to chaos ripple with unfiltered intensity, daring listeners to rage against regret and dance through despair. Her music doesn’t whisper—it screams, an unapologetic roar against self-doubt and silence. Lothario harks back to the ferocity of the Dead Kennedys, BiTyrant and Bikini Kill, the sneering wit of X-Ray Spex, and the venomous screeching swagger of Lydia Lunch. It’s a soundtrack for the restless—a visceral anthem for those ready to confront their demons, embrace their flaws, and revel in the beautiful mess of rebellion until the sun creeps over the horizon.” –post-punk.com

Named in reference to the deadly weight-loss drug, FEN FEN is what happens when pent-up musicians form a band in a dystopian, pandemic-riddled world and ask an ICU nurse to "scream into this microphone". Their songs fluctuate from frantic and wild to menacing and fuzz-drenched. Detroit’s FEN FEN strives to once again immortalize the band’s raw punk frenzy onto wax. Recorded by bassist Ben Taber in the band’s eastside Detroit basement, tracks range in style from gnarled proto-punk to squealing breakneck rock n roll. Think of your favorite KILLED BY DEATH tracks meeting the needle of a sewing machine dead-set on driving straight through your eardrums. Fast and foreboding songs give way to absurdist themes that will be sure to rile up any wasteoid with a short attention span. Listen loud, quit your job, bite your dog.

Mod Lang finally has a song officially on the internet, check the link–and look carefully, it’s a comp. Come hear more songs from the supergroup comprised of members of Shadow Show, Sugar Tradition, Secondary Colors and Fen Fen.

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Oct
23
8:00 PM20:00

Activity • Fred Thomas • Bonnie Hook

Activity blends experimental rock, electronics, and found sounds with a sense of paranoia, flickers of hope, and a warped reality. Working with producer Jeff Berner (Psychic TV), the band manipulated sounds and played with room acoustics to create a feeling that’s disorienting—like the air is thick and the walls are listening.

Coming out of a period of uncertainty, the Brooklyn-based quartet—Travis Johnson, Jess Rees, Bri DiGioia, and Steven Levine—pieced the album together from fragments: clipped samples, looping guitar lines, ghostly melodies. Rees, DiGioia, and Johnson share vocal and writing duties, shaping a record that feels both deeply personal and strangely alien. There’s a constant sense that things could shift or fall apart at any second—nothing stays one thing for long.”

Fred Thomas (born August 6, 1976) is an American indie rock musician who was described by Mark Deming of AllMusic as "[o]ne of the most influential figures on Michigan's indie rock scene". Thomas founded the math rock band Chore in 1994. After this band broke up in 1996, he joined His Name Is Alive in addition to serving as a member of Lovesick and Flashpapr. He founded the band Saturday Looks Good to Me in 1999, and it released four studio albums before going on hiatus in 2008.

Thomas has also released music as a solo artist, beginning with the 2002 album Everything Is Pretty Much Totally Fucked Up. His most recent solo studio album is Aftering, which was released in 2018 and featured Anna Burch and Elliot Bergman. After the release of his 2018 album, Fred has remained active in the Michigan experimental music scene, fronting a three-piece guitar rock project, Idle Ray, while continuing to release albums of instrumental electronic music under his own name.” –wikipedia

Bonnie Hook

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Sep
6
8:00 PM20:00

Clementine Was Right • Rose St Germaine • Carmel Liburdi

Clementine Was Right is the songwriting project of Denver- based poets Mike Young and Gion Davis. Chronicling years of uprooting, the music gallops and sways through lyric-driven, hook-smeared bootgaze and western emo, harmonizing and storytelling.”

Rose St. Germaine brings you face-to-face with a world where nothing “is” purely wrong or right.”

Carmel Liburdi is a Detroit based musician and multimedia artist. Everything they do is inspired by the human condition, and focuses on humanity/the experience of emotion and having a body. Their visual artwork centers body positivity, sex positivity, as well as fantasy and macabre themes. Carmel has been performing their original songs in the Detroit area and all around the US since 2015, with albums released as far back as 2010. Their music is regularly featured on local NPR, and has been nominated for multiple Detroit Music Awards.

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Sep
4
8:00 PM20:00

Tsushimamire (JAPAN GIRL ART PUNK LEGENDS) • ZEM • Plushies

TsuShiMaMiRe are a legendary Japanese rock trio formed in 1999 featuring Mari (vocals, guitar), Yayoi (bass, bv)

These girls have captivated audiences around the world for over 23 years, spanning thousands of live performances, 15 US tours, and 20 full length releases. Among many other achievements, their music has been featured on TV, film, animation, and video games.

TsuShiMaMiRe’s musical style ranges from hardcore noise to introspective indie rock, with traces of heavy funk disco and pop sentimentality. Mari’s quirky lyrics question social conventions and the anxieties of everyday life, rebellion, and love. Her vocals excel in melodic expressivity, ranging from child-like wonder to tragic despair. Yayoi’s groove is like that of a vengeful banshee in the throes of passion, suddenly pivoting from the stoic determination of a samurai in battle to the elegance and light-heartedness of a Japanese house cat. Meanwhile drummer Maiko locks down a constant punk backdrop, rallying the front pair but keeping them from toppling over the edge into insanity. The ferocity of these three warrior princesses culminates in a live show that is simultaneously upliftingly theatrical and brutally honest.

21st century Raincoats-esque troubadours ZEM bring their new sound to the bill.

Plushies

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Aug
31
10:00 PM22:00

HAMTRAMCK LABOR DAY AFTER PARTY • Werewolf Jones • 208

Keep the party going at your Hamtramck Labor Day Festival AFTERPARTY HOME of OUTER LIMITS!

Local heart-throbs Werewolf Jones will be on location to knock your sweaty, Jos. campau-worn socks off!!

“Grimy garage punk slithering out of Detroit’s streets. WEREWOLF JONES deliver thirteen tracks of bad attitude with fast punk that interestingly uses a surf-style drum beat, all double snare hits and rolls. I imagine the drummer holds his sticks sideways like a jazz player, but my search for live pics didn’t confirm it. It totally works though, and gives the songs a rollicking propulsion that makes them seem even faster than they are. On a few tracks, the band veers into sludgy noise rock territory, sounding like TONGUE PARTY or WHORES. “Bigmouth,” for instance, has a plodding caveman riff that works like a shovel breaking through rocks. Among the faster garage-influenced songs, “Lock the Door” reminds me of ZEKE with a hilarious non-solo where the bass and drums play and the lead guitar just emits a distortion feedback tone. It’s this kind of tongue-in-cheek casualness that makes this such a fun, albeit heavy, record. Similarly, “Eating Life Shitting Skulls” is over four minutes of that surf beat with shrieked vocals and clean, reverbed surf licks played at half-speed. It’s weird and wonderful. Loud, slimy, with speed and humor to spare, this is a great punk record.” –maximumrocknroll

208 is a Detroit-based duo known for their "demolished rock" sound, described as swampy, blown-out, and primal. They blend elements of blues, basement rock, and hardcore punk with a noisy, often chaotic mixing style. While some find the mixing overwhelming, others praise the raw energy and intensity of their music” –googleAIoverview

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Aug
30
10:00 PM22:00

TIN FOIL RECORD RELEASE PARTY • HAMTRAMCK LABOR DAY AFTER PARTY • The Ar-Kaics

The always-free HAMTRAMCK LABOR DAY FEST AFTERPARTY tradition continues with a bang! Tin Foil will be performing at their album release party for their third record Chicken Sandwich - released a day prior on August 29 from Almost Ready Records and Sweet Time Records! Come pick up your copy at OLL!

Also playing, Dig! recording artists The Ar-Kaics take their cues from the first wave of ‘60s punk — American teenagers taking cues from the British Invasion, in turn taking cues from pilfers of the hinterland originators — with the added vantage of several subsequent decades worth of wayward balladeers, no names and psychedelic rock hangovers. 

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Aug
29
8:00 PM20:00

LABOR DAY PRE-PARTY with Choncy • Beer • H8 Mile • Gerber & the Babies

Bring on the big weekend with a kickoff celebration for the ages!

“Those groovy weirdos from Cincinnati CHONCY are back with a 12” vinyl follow-up to last year’s hit tape. Decked out in glitchy scratch-off ticket chic, this rollicking record further demonstrates the band’s “kitchen sink” style, in which elements of punk, post-punk, and hardcore are pieced together to create an ambitious sonic collage. Smart, uninhibited, and overflowing with ideas and energy, this set of songs defies succinct description, offering a poignant surge of originality in each track. Foaming at the mouth one moment and snapping into a friendly guitar jangle the next, there’s never a dull moment. Having an average weekend? Put this on the turntable and monotony doesn’t stand a chance.” –maximumrocknroll

Beer? Beer

H8 Mile - “…as with many albums by the great hardcore bands of yore, is short – 9 tracks clocking in at 15 minutes – and fits on a single 7” record. Emerging from the Detroit DIY scene, Spread the Love propagates a grit & grime, us-against-the-world mentality. This record is a handmade delight, packaged in a black & white sleeve and featuring a handwritten center label. The cassette version is dubbed on a clear glitter cassette.” –360degreesound

Gerber & the Babies - “Fremont Canning Company, owned and operated by Dan Gerber, was looking for a baby face for its new baby food campaign, which was to start in the later part of 1928. To find a baby face that it believed would best represent the new baby food, the Fremont Canning Company conducted a contest in the summer of 1928. Many drawings and paintings were submitted. Some were elaborate baby portraits in oil paint, while others were simple sketches. Dorothy Hope Smith of Westport, Connecticut, an artist specialising in children's drawings, submitted an unfinished charcoal drawing, that was closer to a simple sketch than a professional drawing. Smith told the judges that, if the sketch were selected as the winner, she would finish it professionally. The drawing won but, to her surprise, the judges wanted no changes to it.” –wikipedia

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Aug
28
8:00 PM20:00

Sheepskin • Silvertree • Propolis • Lester • Danny Van Vandt

Speenskin grazes in sun-dappled meadows, moonlit backyards and in the basins of sand dunes, playing liminal parlor music for your favorite dive bar. They are a band and recording project composed of Sam, Molly, Derrick & Finn. Complete with upright bass, drums, classical guitars and hushed harmonies, the group is from the little parts of the countryside and now resides in Northern Vermont. The four piece births a delicate and sincere combination of folk, spooky-country, slow-core, and jazz-infused slacker rock.

Propolis is “The loudest band at the potluck”

Lester is “Music for anyone”

Danny VanZandt’s hooky and playful take on indie rock draws on the wryer side of the 1970s’ singer-songwriter movement, as well as the American indie rock scene of the 1990s.”

Silvertree

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Aug
27
8:00 PM20:00

Fake Oasis • Jeff Clarke • DJ Jam Jam

Oasis is reuniting? So is Fake Oasis, from last year’s OLL Halloween Cover Show. With an all-star lineup of Joey Hannabarbara (Menage Detroit, Toeheads), Craig Brown (Craig Brown Band), Jamie Spiker (Wild Shape), Evan Eklund (Frontier Ruckus) and Quennton Thornberry (Expest Prude Boys)

After Jeff Clarke moved from Edmonton, Canada, in 2000 to escape a life as a laborer in the Alberta oil sands, his musical journey began with a 56-hour bus ride that took him to Montreal, Quebec, where he formed the legendary band Demon’s Claws. A release on the German underground label P-Trash was followed by several tours of Europe and the U.S., until finally the American indie label In the Red Records took notice of the band and released two studio albums.

His boisterous garage rock compositions once led to King Khan identifying him as one of the “unsung heroes of rock n’ roll.” and for several years he has also been a member of the US garage rock band The Black Lips (Fire Records).

DJ Jam Jam will be playing Michael and the Slipper Tree and the Ghostbusters Theme Song

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Aug
24
8:00 PM20:00

The Shape • Rose Chamber • Olinda

The Shape

Rose Chamber, named after what might be my favorite Mutually Assured Destruction song, is the duo of Ace Stallings and his Sentinel bandmate Evan Schlomann. On Twitter, Stallings says, “I’ve always wanted to try my hand at doing a synth/new wave project. Rose Chamber is for fans of various 80’s inspirations.” The duo’s new four-song debut cassette State Of Affairs is still tough and muscular, and it makes great use of Ace’s titanic bellow. The songs are short, and the riffs are hard. But the whole sound is really on that vampire shit — drum machines, one-finger keyboard riffs, evil basslines, reverb and echo all over everything. Highlight “Past Sins” sounds a bit like what might’ve happened if Glenn Danzig had tried to become Peter Murphy. It’s really good!” –stereogum

Olinda are back with their latest single ‘Reverie’, another masterclass in indie pop in 2023. Like a lost cut from an old FIFA soundtrack that never was; springy guitars and synthesized nods to Psychedelic Furs give way to a chorus straight from the Gallagher brother’s song sheet. As with last single ‘Dreams in Transit’, its 4 minute run time eludes the listener and does nothing to diminish from its pure, pop credentials. The vocals employ a higher register than previous singles, with frontman Josh Klein sounding at his most angelic when in fact ‘every day feels like hell.’ Lyrically we encounter a sense of camaraderie in mutual despair, the yearning for brighter days, the lost art of…I don’t know…having a bloody laugh? Musically ‘Reverie’ features some of Peter Burke’s finest guitar playing yet. Sleek and measured trills lead to a solo that could make John Squire just stick to the paintbrush for good. And while our singer’s malaise is at the forefront, a bopping synth line remains all the more apparent and infectious.”

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Aug
21
8:00 PM20:00

Necromoon • Career Funeral • Tired • Low Exposure

“When you hear Necromoon, you might not know the genre. But you know the mood. “I do think we fall into the shoegaze pond, but we’re indie rock nerds with a shoegaze blanket,” drummer James Wadsworth said. “We love Radiohead, Grizzly Bear, Deerhunter. We love shoegaze, too, the greats like Slowdive and My Bloody Valentine and all that stuff. We didn’t want to be your average shoegaze band.” They are not your average band, and when you see them live that is evident. With lights turned down, Wadsworth’s drumming fades into the sonic backdrop spawned by Connor Corwin’s guitar work and Tessa Brumbeloe melodic voice and bass. “We put a lot of effort into our live shows,” Wadsworth said, noting it can often be difficult to tell when one song ends and another begins. “We practice hard and are very mindful of the flow of our set. We don’t like to talk and a lot of people don’t really want to hear you talk, especially if you’re a small band.”” –whatzup.com

Career Funeral is a four piece, Detroit-based band formed in 2021 by two roommates. Self-labeled as “softcore," Career Funeral blends together elements of grunge, shoegaze, and hardcore to create their “wall of noise” sound. Their sophomore EP “Funny Until It’s Not” will be available this coming fall/winter on all streaming platforms.” –rockindetroit

Low Exposure is… Robin Parrent & Katherine Deal

Tired are a slow core band from metro detroit.

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Aug
17
8:00 PM20:00

Shady Cove • Nancy Friday • Arlo Betley • Rat Paws

Shady Cove is the Portland, Oregon-based dream pop duo of Sarah Rose and Sarah Nienaber… It’s a tender slice of dream pop with a folk quality to it with a sun-soaked pristine dreamy nature that feels full of emotion and melancholy.” –weallwantsomeone.org

Nancy Friday (lo-fi dream-pop/folk)” –wdet

Arlo Betley, bass whiz of Sugar Tradition, will be performing his own material.

Rat Paws: “Thrashing in the basement since 2011.”

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Aug
14
8:00 PM20:00

Jeremy Porter • Glencoe • Jeff Evans

Jeremy Porter grew up in Marquette, a small town in Michigan's upper peninsula, where he was a founding member of one of the UP's first punk bands - The Regulars. He moved to Detroit and tore through the 90s and 00s fronting bands like SlugBug, The OffRamps and Fidrych (as well as a solo stint) through 2 decades of recording and touring before forming The Tucos in 2009. Gabriel Doman (Hotwalls) and Jake Riley (Big Shoals, Jake Riley & The Social Workers) round out the trio.”

“Hello! I am Chris. I find under the moniker Glencoe. I have just released my first full length album University Street. I am an Americana Artist. I’d love to come play your living room, kitchen, bathroom whatever! I just want to get out and play and grow my audience! Thank you!” –glencoe

Jeff Evans

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Aug
9
8:00 PM20:00

Plum • Geranium Red • Lester

“Jon is the front man of Plum, an upand- coming East Bay indie rock band. Plum is centered around Jon’s melancholic, reflective songwriting, involving heavy use of drones and space, as well as dramatic emotional builds. Their songs can be thought of as fleshedout singer-songwriter music that draws from varied traditions—from ambient to emo, shoegaze to drone, Slowdive to Sparklehorse. In many ways, this inventive approach to songwriting, alongside the members’ deep knowledge of and affinity for different genres of music, creates a band that is hard to pin down to one subgenre of indie rock.” –thesanfranciscan.

Ypsilanti’s Geranium Red is “Alt. rock, multi-instrumentalists whose dynamic and emotive compositions evoke engaging performances. Eclecticism and intentional therapeutic expression drives our work and offers audiences vulnerable relatability.”

Lester. is a Michigan based project by Celeste Janae Jones. Celeste sings and plays guitar, as well as writes all of the music. The group also consists of their partner, Austin Staeoeczyk, on bass and Gabe Wood, of S@YP, on drums (although sometimes for live performances they use other drummers). I first heard about Lester. as I was preparing to attend PugFest 2 over the summer and instantly fell in love with their sound. “ –widrfm

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Aug
2
8:00 PM20:00

The Gobs • Ménage Détroit • Quitters

The Gobs - “My initial thought seeing this single was “Wow, a Goodbye Boozy band with songs that run longer than two minutes?” Took me a minute-and-a-half to realize that this isn’t a single at all; the A and B-sides are just two different EPs. More lo-fi, synth-driven egg-punk that we’ve come to expect from this label. However, each song has a different vibe to it. There’s a diverse range of gear used on each track, specifically the different drum machines featured throughout. The GOBS bounce back and forth between sounding like PRISON AFFAIR, ’90s dream pop, and sinister darkwave. Really freshens things up and keeps them from sounding like the hundreds of other egg bands out there right now.” –maximumrocknroll

Ménage Détroit - “This Detroit-based guitar-and-drums duo delivers two tracks, “I’m a Fool” and “Would You Say (I’m in Love),” firmly rooted in ’60s/garage rock influences. The playing is loose and raw, with a gritty, unpolished energy that fits their sound but the muddy production doesn’t do them any favors. Lyrically, the tracks delve into themes of love, loneliness, and heartache, capturing a classic melancholic vibe. If you’re into the rough edges of rock, this pair would be right at home opening for any number of bands from the Crypt label from the ’90s. I’d love to hear them revved up to eleven, but they’re currently at about four.” –maximumrocknroll

The Quitters - “I like this. A lot. It’s super lo-fi, but also super catchy (those two can go hand in hand. for sure). It’s fuzzy, but jangly at the same time. It’s got a somberness to it, but it’s not a downer. In terms of the sound, I guess I’d call it “indie,” if that’s okay with you. The production is perfect for the sound. This is pretty outstanding for a debut effort. Great guitar sound. These guys are from Detroit, so you know they’re tough. The mood they create reminds me a bit of the DANDY WARHOLS. Really great shit here.” –maximumrocknroll

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Aug
1
8:00 PM20:00

Human Toys • New Entertainment • Denim Sun • Cosmic Light Shapes

Human Toys (from France!) - “If you get your kicks from short, snappy Ramones-style pop tunes, then look no further. Poupée, on vocals and theremin and Jon Von on guitar and vocals bring you 13 new songs that grab your attention as they fly by. 2025 seems to be the year of great, short albums, but, as ever, it’s quality over quantity/time… It’s been done to death, but it’s not easy to write short, catchy songs, and the Toys really have nailed it… It’s not big, it’s not clever, and it’s all the better for it. It’s pure fun with great tunes, and there is a hint of The Rezillos here and there. I don’t know if there’s bass when they play live, but there’s plenty on the record, allowing the likes of ‘I’m Sick Of You’ to have the required clout. If Spotify is good for anything, you can listen to it and then order the album. What are you waiting for?” –rpmonline

New Entertainment

Denim Sun

Cosmic Light Shapes

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Jul
29
8:00 PM20:00

Phantom Rider • Knotwork • Jail • Teknokrat

Boston metal-punk Phantom Rider

Detroit/Ypsilanti crusher-crust Knotwork

Jail - “The path treaded alone and cold.Filled with broken bones and nameless headstones.Gone flawlessly according to plan.Through shifty go betweens in a poisoned land.Tap into the ether.Feel the blackness and bring it on.”

Metro Detroit punx Teknokrat

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Jul
25
to Jul 27

OUTER LIMITS SUMMER STROH DOWN

  • Outer Limits Lounge (map)
  • Google Calendar ICS

The great Outer Limits SUMMER STROH DOWN returns! A high in July weekend rager of the best local and regional rippers around!

FRIDAY July 25

-POP-UP food out back on the patio from Koprova Slovak Kitchen!

8:30 Credit Card

9:10 Dori

10:00 Kill the Hippies

10:50 TY

11:40 Zastava

SATURDAY July 26

POP-UP food out back on the patio from Koprova Slovak Kitchen!

8:30 Mod Lang

9:20 Deno

10:10 Shitdels

11:00 Lavender Jets

11:50 Human Eye

SUNDAY July 27

Daytime show! Bar open at 1pm - FLEA MARKET on the patio - BBQ POP UP

2:00 Pontiac Stags

3:00 Plushies

4:00 Secondary Colors

5:00 Slizz

6:00 Deadbeat Beat

7:00 Chloe Drallos Group

8:00 Hall Pass

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