T.S.S Bradley - saxophone, tape loops
Casey Adams - solo percussionist from Columbus
Tyler Hicks - guitar, electronics
“Accessory is the solo recording project of Chicago based Jason Balla (Dehd, Earring). “Eyes For Berlin, a new track is Jason’s first for Fire Talk. Jason on the traack…"It's about finding new eyes. Seeing the old and everyday that has become the background of my life with a fresh sense of wonder. Years ago, I went to Berlin, crashed on a friend's floor and walked and walked. Even through the cold faced grey of Berlin winter, the city felt so full of life and it all felt so new to me. There are moments where I have these eyes again in the most surprising of places: an old neighborhood I used to live in, a friend's face, the sunset through the McDonald's golden arches out my bedroom window. And they all remind me that the world can be beautiful and good." “
“Golden Apples possess the rare ability to make music that’s at once familiar and elusive, instantly satisfying and also undeniably unique. On their self-titled sophomore album, the Philadelphia-based band have seamlessly combined the off-kilter catchiness of ‘90s college rock with dashes of dreamy shoegaze, scrappy bedroom pop, homespun psychedelia, and more. The result is a vibrant and eclectic sound that works in tandem with Edling’s agile lyrics, and an album that aims to capture the endless highs and lows of life without sanding down the complexities and contradictions–all done with humor, humanity, and most of all, hooks.”
Tears of a Martian - “"A mix of the soulful and the gritty but also the space rock and the grunge and the catharsis and the cool." - Jeff Milo (WDET)
Carmel Liburdi - “has been performing their original songs in the Detroit area and all around the US since 2015, with albums released as far back as 2010. Their music is regularly featured on local NPR, and has been nominated for multiple Detroit Music Awards.”
The True Faith - “Philadelphia’s The True Faith offers… soaring synths and searing guitars collide in a fevered dance of doubt and defiance. A natural step forward from their previous offerings… ringing guitars, urgent vocals and strong percussion calls to mind the driving force of The Sound, early U2, and the brooding shimmer of The Chameleons.” -post-punk.com
Louse - “originated from the mid pandemic precariousness in Cincinnati, Ohio. With influences indicative of early/mid 80s Post Punk/ Cold Wave and early Alternative Rock. After recording and releasing a short EP in 2022 titled 'Dressed in Skin', the debut record from the Cincinnati five piece, ‘Passions Like Tar’ is now out via Feel It Records.”
Ingo Swann - “was an American psychic, artist, and author, whose claims of clairvoyance were investigated as a part of the Central Intelligence Agency’s Stargate Project. Swann is credited as the creator of the term “Remote Viewing," a term which refers to the use of extrasensory perception to perceive distant persons, places, or events.” - wikipedia
Johnstonsons - “Detroit pop stompers”
Lodestones - “bring you original, moonbent astral folk songs from the land of twilight, the altars along the road to love and eternity, and from the theater of the absurd. With a background in experimental sound, The Lodestones emerge as something direct, definite, and intentional, while drawing from various folk musics of America and the world.”
Speedsquare - multi-purpose triangular carpenters' tool (e.g., a rafter square, rafter angle square, triangle square) developed and manufactured by Swanson Tool Co., Inc. used for marking out. Its functions encompass many of those offered by combination squares, try squares, and framing squares. Carpenters use it to make basic measurements and mark lines on dimensional lumber, and as a saw guide for short 45 and 90 degree cuts. With homemade flute and synth and glass rods jams.
“Please meet The Hobknobs, a new art pop project from the Netherlands by Yaël Dekker (The Klittens) and Arie van Vliet (Lewsberg). They make their debut under this moniker with the Gather No Moss EP, three wobbly tracks that unite the best of the two skilled singer-songwriters, in terms of lyrics (poetic and intriguing), vocals (angelic versus monotonous cool), and instruments (primitive but totally on target). It’s a match made in heaven, light and dark at the same time.” -addtowantlist.com
“In 2004, Tyvek formed in a serendipitous Detroit attic. The band came together as the brainchild of Kevin Boyer, the group’s frontman, guitarist, primary songwriter and lone constant member. Throughout the years, the band has comprised of over two dozen different members, with individuals regularly coming in and out of the band’s lineup.
Stylistically, the band pulls more influence from early art punk, minimalist and DIY bands such as Pere Ubu, Urinals and Swell Maps rather than staying loyal to the typical Motor City Music sound. This sets the group apart as somewhat of an anomaly within Detroit’s extensive and expansive garage rock canon.
Unlike this de facto rock sound associated with countless Detroit-based rock bands, Tyvek fully embraces an unapologetically loud, literate and verbose approach to their songwriting. Boyer’s trademark noodly and twang-infused guitar riffs, coupled with his staccato, emphatic vocals incessantly drive each song forward, ingraining them firmly in your brain and leaving one craving for more.
Since their initial inception, the group has released a plethora of singles, EPs and albums garnering significant critical acclaim. These releases include both self-released pieces and works distributed through various indie labels, including What’s Your Rupture?, Siltbreeze, S-S Records and Sub Pop.
While the group’s discography continuously grows and their sound inevitably evolves, Tyvek’s core principles and insatiable appetite for experimentation remain unwavering. This commitment and clear identity glaringly permeate the band’s numbered releases.” -WVAU.org
Hustle Culture - a lazy egg a day makes the drum machine something something. Cincinnati punks on the rise with synthesizers!
Werewolf Jones - book-based wolf-central punk from 3 lads in various stages of hair-loss, who consistently bring the noise and still hold the trophy
Fen Fen - when when? then then? hens will bop around to the frantic fury of them them! with tall guitars and tall punk ragers
Sleep Tight Tiger - “ In 2026, we decided to change our name to Sleep Tight Tiger (stylized as St Tiger in our calendars) because we feel more serious about having fun in our band. And also we never really loved our name in the first place, so thinking about having music released under the name was not super appealing. We are so excited to see where we go with this, and how we grow together. This is, after all, a band fueled by love and friendship”
Checker - “An electric duo infusing their love for stadium level rock ballads with underground indie rock and 90s hip-hop from their childhoods to create wall shaking lullabies they believe will inspire the future.
The unexpected duo of Cinquex (guitar/vocals) and Moe (drums/vocals) officially formed in early 2023. At the heart of the CHECKER experience lies a fusion of brass-tacks lyricism, flamboyant aesthetics, and an unwavering "chin up" attitude. With an unwavering determination, CHECKER approaches their craft with a "victory" mindset, aspiring to be the new and true voice for the marginalized and middle-class youth of America.”
“Bad Optics is an art punk band based in Seattle, WA. Born in 2018, the band has released 3 EPs and one full length album. They've performed in festivals such as Treefort and Fisherman's Village Music Festival, embarked on multiple West coast tours and were featured on the television program Band in Seattle early in their career. Their latest album, The Bounded World, was released on April 30th, 2025, accompanied by two-week tour run.
Bad Optics is known for high energy performances with angular and interlocking guitar melodies and manic vocals, supported by a heavy and off-kilter rhythm section that pushes and pulls in unusual time signatures. Lyrical subjects are often a mixture of social and political commentary. Since their genesis however, they have continued to evolve into an ever changing entity that showcases each member's unique and broad range of influences, making them a hard band to pigeonhole into one specific genre.”
Vampire Cowgirl - “Detroit doom punk”
Paradise Day - “noisy riot grrrls”
Our favorite monthly horror schlock film presenters are back! Slimeball Cinerama ! With another free movie!
Alga - “Alga is an ever-evolving solo project. A singularity.” Named Peter.
Quitters - “Rock &&& Roll” That’s a lot of &’s—and, maybe, even more roll.
Electric Bug - “combines elements of proto-punk and 60s garage rock, echoing their Detroit roots.”
“Bonzo Squad is an instrumental ensemble with a focus on creating music that sets the bar higher in terms of eclecticism and musicianship. The group consists of Bonzo himself, born Corbin Andrick, who plays saxophones, flute, and percussion. Completing the line up are Andrew Lawrence (keys and synths), Andrew Vogt bass, as well as Zack Marks sitting behind the drum kit. The band released their very first, self-titled album back in 2017. This release was received really well from the get-go, earning a coveted 4-star rating from Downbeat Magazine, as well as appearing on Spotify’s popular “The State of Jazz” playlist.”
Harmolodics - “Utilizing electronics and and electro acoustic manipulation, the Harmolodics trio strives to push the boundaries of “the trio”. From meandering improvisational textures to soaring melodies, hard hitting grooves to tender explorations of emotion, the Harmolodics seek to convey real feeling, passion, and unabashed sonic freedom.” -detroit jazz fest
Wombo - “‘Fairy Rust,’ the new album from Wombo (Sydney Chadwick, Cameron Lowe, Joel Taylor), contemplates the spaces in-between, a meeting of the physicality of the land with the fluidity of the imagination, to uncanny effect. Across twelve tracks, sharpened guitar work, distorted freakouts and downtempo musings see the trio make a sonic leap forward into new and transformative places. Conceived over the course of the last two years, the record is steeped in its own time warp of escapism, and influenced by fairytales like the Brothers Grimm and Hans Christian Anderson (“RVG” is short for “Rip Van Winkle”) that blend surreal situations with the mundane. ‘Fairy Rust’ plays on this preoccupation with fantasy (“especially in a time where people are seeming to gravitate towards these kinds of stories”), and the resulting record sounds like no one else.”
Paper Sleep - new band!
“TsuShiMaMiRe are a legendary Japanese rock trio formed in 1999 featuring Mari (vocals, guitar), Yayoi (bass, bv). These girls have captivated audiences around the world for over 23 years, spanning thousands of live performances, 15 US tours, and 20 full length releases. Among many other achievements, their music has been featured on TV, film, animation, and video games.
TsuShiMaMiRe’s musical style ranges from hardcore noise to introspective indie rock, with traces of heavy funk disco and pop sentimentality. Mari’s quirky lyrics question social conventions and the anxieties of everyday life, rebellion, and love. Her vocals excel in melodic expressivity, ranging from child-like wonder to tragic despair. Yayoi’s groove is like that of a vengeful banshee in the throes of passion, suddenly pivoting from the stoic determination of a samurai in battle to the elegance and light-heartedness of a Japanese house cat. Meanwhile drummer Maiko locks down a constant punk backdrop, rallying the front pair but keeping them from toppling over the edge into insanity. The ferocity of these three warrior princesses culminates in a live show that is simultaneously upliftingly theatrical and brutally honest.”
Cheddar is a popular type of band that originated in the village of Cheddar in Somerset, England. They are known for their distinct flavor, versatility, and vibrant orange color.
Dino Gala - “indie rock and emo from allston, ma”
Josie Palmer - “singer-songwriter from Detroit, MI.”
The Telephone Poles - “baseball”
“MV WELLS is a Midwestern singer-songwriter whose genre-spanning work is tied together by a singular skill for melody and an uncanny knack for creating memorable hooks. Listeners may know his unique pop sensibility from the 2010s Chicago indie rock group Ne-Hi, the country-rock group Flamingo Rodeo, or his more recent work with psychedelic new wave collective Spun Out. Wells has spent the last decade in the Chicago music scene, touring the United States, and opening for bands such as Dinosaur Jr., Whitney, the Black Lips, and Twin Peaks. He’s played the big stage at the now-defunct Pitchfork Music Festival, the rock clubs of downtown Chicago, and the remote taverns of his native Wisconsin. With his solo debut, Wells brings his love for the Great American Songbook and the orchestral pop of Burt Bacharach, the Beach Boys, and Harry Nilsson into the forefront — along with a biting wit and lyrical sneer that echoes a musical apprenticeship based in underground American music.” -spillmagazine
Stone Nomads - “Metal band in the Stoner / Doom / Sludge genre from Houston, TX, USA”
Solar Monolith - “Hailing from the greater Detroit MI area & originally formed as a trio in 2019; reformed, distilled, streamlined & crystalized in March 2021 as a Bass and Drums duo.”
Cleen - “Stoner/Doom Metal band from Flint, MI”
“Charlie Bonnet III is now performing as an acoustic solo artist, as well as with his classic rock power trio, Charlie Bonnet III And The Folkin’ Gasholes. He has recently designed and released a CB3 signature series electric guitar through the Allen Eden Guitars company, and has become an official endorsed artist for the UK based Blackstar Amplification company. He has music featured on over sixty albums and compilations worldwide, and has collaborated on songs with members of KISS, The Alice Cooper Band, LA Guns, Testament, Megadeth, Grand Funk Railroad, Pro-Pain, GWAR, Exodus, and many others. “When I think back to being a thirteen year old kid with that first guitar, I realize that all my dreams back then have come true. Everything now is just a bonus” he says. “Regardless of what opportunities come in the future, I will keep recording and performing until the day I leave this planet. You can count on that.””
Calhoun & Co
Smokin’ Moses
Suitor - “Suitor could be a poster for the Northeast Ohio scene. Vocalist Emma Shepard grew up in Akron, where her mother and uncle both played in new wave bands, and her father has run a local record shop for over 45 years. She met her bandmates while attending college in Kent, and the group played their first show in Cleveland back in 2021. Their debut, Communion, was recorded by just Shepard and guitarist Chris Corsi and landed as a raw, focused introduction to the band’s post punk sound. Now the full five piece lineup of Shepard, Chris Corsi, bassist John Corsi, guitarist Stephen Ovak, and drummer Ryan Matricardi steps up together on Saw You Out With The Weeds, their first full length for Cincinnati’s Feel It Records. The record was tracked live in Lawrence, Kansas in the spring of 2024 by Caufield Schnug and Lira Mondal of Sweeping Promises, and that live setting shows. This is a band playing in a room together, and you can feel it.” -thefirenote.com
Quitters - These guys never prosper.
“For Telehealth, the answer to these questions aren’t yes or no, but rather, an untapped gap in the music market waiting for a band visionary and unhinged enough to bet on the spread. Green World Image, Telehealth’s sophomore LP and its IPO with angel investors Sub Pop, is a vertically-integrated artwork for the post-grunge, post-flannel Seattleite, and consumers around the globe who are also ready to financialize their own passion for music.
Trauma-informed, results-driven, and eminently danceable, the weirdo punk record is inspired by Attitude’s tenure as a former architect in a Climate Pledged™ city that has perfected the art of “Green World” architecture with its network of efficiently zoned 5-over-1s. Telehealth’s PNW post-punk creates similar architectural spaces, where the gleaming, futuristic, tech-industrial rhythms and synths of Bezos-era Seattle commingle with the raw, independent, underground sound the city lovingly preserves for cultural texture and marketing purposes. The outcome? Think XTC, REM, and YMO with a stronger focus on ROI. Imagine The B-52s, but B2B. Envision a bigger-brained Brainiac, a transhuman Gary Numan, or a terminally online Pylon. Finally, a band with assets diverse enough to play in your basement or the Amazon Spheres.” –subpop
Dori - modern B52s-core dancey post-punk with surf/rockabilly guitar fragments and a hefty dose of farfisa!
Credit Card - industrial-pop floor-rock can-jams for lighting heads
Josephine Network - “For the glam savvy and power pop true believers, Josephine has been a staple over the last few years, moving through phases like moonstones with dabbles in country on No One’s Rose and a plethora of pop spread over half a dozen singles as the Network began to take a more formal shape. The soft-punch punk and perfect pout of late ‘70s power pop doesn’t have many more perfect purveyors than Josephine, and for her latest, and first for Lolipop Records, she brings some of her most outsized hooks in years.” –ravensingstheblues
Dusty Rose Gang - Their not a band, they’re a gang.
Dead Nettle
Fridge Buzz - “Four piece band from Marquette, MI.”
Gusher - “outside, gooey on the inside : disco doom died on the make-out ride. Pop sugar sludge leakin from the dance music chub.”
Toboggan Man - “A toboggan is a simple sled used in snowy winter recreation. It is also a traditional form of cargo transport used by the Innu, Cree and Ojibwe[1] of North America, sometimes part of a dog train.”
All grit, it takes more, controlled fury, pure octane.
Our favorite monthly horror schlock film presenters are back! Slimeball Cinerama ! With another free movie! This month: NIGHTMARE BEACH
SOMTHING is a music group taking notes from the left field, krautrock, funk, spacious ambient movement, all held together in spontaneous composition. SOMTHING is with 4 to 6 members all from diverse musical backgrounds that collide and share synergetic tonalities. They will never play the same song twice. They will always make the room more spacious. Catch them while you can, it's a good time.
Ill Amor - young punks on the town
Blood Rune Sigil - “is a high-intensity progressive rock/ metal band with an ever-evolving wide angle approach to musical story telling featuring intense rhythms, thought provoking lyrics, with emotional and expressive tones all rolled into a thunderous presentation.”
Good Man’s Brother - “is a Metro-Detroit powerhouse blending fuzz-drenched guitars, hypnotic rhythms, and soaring melodies to create an immersive stoner rock and heavy psych experience. Influenced by classic hard rock, desert/stoner rock, and psychedelia, their sound balances crushing heaviness with intricate, atmospheric textures. With thunderous basslines and electrifying solos, they captivate audiences and cement their status as a must-hear act for fans of bold, guitar-driven music.”
Rentboy - “is the transgressive and expansive musical outlet of the talented PHILADELPHIA songwriter BOBBY BROWN… what made them standout was the compositional cohesiveness and complexity of their off-kilter time signatures and experimental electronic sonic textures. it all added up to a sound that was kinetic, bouncy and distinctively POP. and i mean POP in the best tradition of artists like PRINCE that push their audience to accept a wider variation of acceptable sounds. in RENTBOY's case that includes electronically manipulated vocals.” –deergodnyc.com
Flatroon
Hailey Howe - “is a multidisciplinary artist based in Detroit, Michigan. Through her work she explores concepts of fragility within human anatomy as well the exaggeration of figurative sculpture through the use of both harsh and soft materials.”
Donzii - “Los Angeles by way of Miami, Donzii is a time-bending, post-punk vision: a unity of go-hard industrial bangers, darkly ambient balladry, and new takes on the funk traditions of No Wave.”
Day Residue - echo pedal punks for red lobster freaks
Womb Worm - angular family band and proto-egg punks (chicken??)
The Stomp Rockets have “been rawkin' and steam-rollin' metropolitan Detroit (and beyond) fork over 25 years. A live performance of these cats always delivers a full-fledged, greazy, grimy, bone-rattling RnR assault to the senses. The line-up has varied over the years, but at its core are the founders, the effervescent Dan "Crawdaddy" Mulholland manning the microphone, harmonica, tambourine, and maracas; along with riff-slinging Gerald "Sho-Nuff" Shohan on guitar. Both have a long history of delivering the goods in a multitude of well-loved, deeply respected, and influential Detroit bands over the past 40+ years. These days you'll find them joined by a battle-tested group of Detroit musical veterans: Dave Hanna hammerin' his guitar, Aaron Kujawa slamming the bass, Johnny "Showtime" Evans spicing things up on his sax-a-ma-phone, and Jay Jones bangin' them drums. See 'em if you can--it's always a party when these guys start stomping!
Hondo blondo rawndo mondo condo
“Have you ever felt like you were trapped riding shotgun in a car spinning out of control? Stuck, know the feeling well. This nightmarish joyride with a malicious stranger at the wheel comes straight from the lyrics of “gg”, the closing track on the Chicago post-punk group’s latest full-length Optimizer, their second release for Exploding in Sound and third album overall. The feeling of being unable to stop a machine hurtling toward danger by its own momentum pervades across the whole record. Optimizer reports live from the front lines of a society on the decline, where every attempt toward self-improvement only locks you into a more efficient downward spiral. Optimizer’s cover depicts a classical statue trapped in buffering hell while the album’s title below it sinks along a declining trajectory. The lyrics trace the same futility, taking stock not just of the delusional patterns around him but the diminishing returns of sticking to your guns with nothing but air left in the chambers. Turning their eye for political lyrics instead to more directly social subjects, Stuck see the world as one big commercial gym packed to the gills with debt-ridden and desperate marks who only tear their gaze away from the mirror to watch the latest pitch from the latest digital huckster promising a better you at a reasonable fee. Written directly on the heels of the band’s tour for 2023’s Freak Frequency, the album also grapples with the personal costs of devoting your life to music while the music industry crumbles around you. Optimizer continues Freak Frequency’s incorporation of synthesizers and also brings along more backing vocals, bigger choruses, and even blast beats. It is the most high-definition and physically propulsive Stuck record yet. Previous Stuck albums needled you, using fast twitch guitars to keep you on edge. Optimizer goes straight for the emotional haymakers. Along with classic egg punk fare you’d expect from Stuck on songs like “Net Negative” and “Less is More”, Optimizer provides plenty of new twists on their formula. “Deadlift” is slower and sadder, an unsparing look at the loneliness of workout culture, “Fire, Man” a sardonic twist on All American rock anthemics. Stuck have no illusions about solving the problem they’ve diagnosed here in short hand. On the contrary, Optimizer confronts the very idea of trying to solve life head on, drawing implicit connections between ideology and addiction. Every choice demands a sacrifice. The same instinct that drives us to simplify and streamline our lives can leave behind only our darkest and dumbest impulses. If there’s no escaping the ride we’re on, we might as well crank the dial.”
Zastava is a music maker of motor city’s new generation worthy of knowing their names, which are Mateja Matic, Arman Bonislawski, Cam Frank, and Ollie Elkus. On a night out in the East Village, I caught their set and though I had heard the recordings and been a fan, I was struck by their live performance. I was captivated. Inspired, even. I felt like I wished I had learned to play guitar instead of earning an English degree. Their fervor and precision chaos applied to an on-stage presence that was both confident and scrutable, assembled yet dangerous, combined with songs that are genuinely danceable and undeniably alluring and specifically and emphatically not the same old half-hearted sadboy dogshit being chucked out by the flacid idiots who happened upon a pirate stream of the Meet Me in the Bathroom documentary their first year at NYU film school and who plague dozens of curated ‘hot new indie’ Spotify playlists, all in my view added up to one thing for Zastava: quality. Zastava had the room - it was completely theirs - and their music earned them the right to it.” –monsterchildren.com
Wolfenstein - “VIOLENT THRASH FROM BUFFALO, NY”
Manic Outburst - “Thrash/Crossover out of Detroit, MI with the goal of writing relentless metal and never letting off of the throttle!!!”
Convulsis - “High-octane Thrash Metal outfit from Taylor, Michigan. Formed in 2021 by current and former members of Plague Years, Euphoria, Two Neck Noose, and We Will Rot.”
8 Ball Death - “Hardcore malted stupid drunk”
Liquid Crystals - “The fluid electronic music project of Drew Bartosik and Matt McBrien.”
Wampus Milk Daddies - “is a six-piece Rock/Jazz Fusion band from Indianapolis, Indiana. We write fast, melodic tunes that feature all of our members individual sounds and styles. Our goal is to create a groovy, fun, and engaging performance that'll rock your socks off and leave your sides split!”
The Mansion
“New York has really become the destination for the cutting edge of new post-punk. While a lot of bands are delivering truly unique and innovative releases, few of them have managed to deliver anything with quite the same energy and intensity as Pons. On their latest album, The Liquid Self, the three piece has constructed a shipwrecked concept album that is as lyrically dense as it is full of driving, brooding atmosphere, and chaotic ups and downs.” –post-trash
Hondo mondo brawndo condo pondo
Low Exposure - is Robin Parrent & Katherine Deal
3 the Hard Way - “2-3 piece proto punk/riot grrrl/ no wave”
Lee Cleaveland & the Lefthand Band - “A one armed guitar player and his rag tag group of musicians.”
The Glass Flowers - “no run of the mill”
Queenie T & the Frogs and Toads - from Kzoo
Our favorite monthly horror schlock film presenters are back! Slimeball Cinerama ! With another free movie!
Visual Learner - “Across ten scrappy yet surprisingly melodic pop-punk tracks, this four-piece barrels ahead at full speed, often teetering on the edge of collapse but always managing to hang on for dear life.” –punkrocktheory
Newburgh - metrodetroit punk rock
Endless Vacation - “Punk for the Hardcore, Hardcore for the Punks, Weird for the Weirdos.”
Moronic Device - “GARAGE LOFI POP PUNK FOR LOSERS LOVERS SLACKERS N TRASHRATS”
DJ Amado (Norcos y Horchata)
We’ll have the big screens big night on the big wall
Impediment - Nashville twangle pop
Pink Crayons - Louisville twee
Quitters - “I like this. A lot. It’s super lo-fi, but also super catchy (those two can go hand in hand. for sure). It’s fuzzy, but jangly at the same time. It’s got a somberness to it, but it’s not a downer. In terms of the sound, I guess I’d call it “indie,” if that’s okay with you. The production is perfect for the sound. This is pretty outstanding for a debut effort. Great guitar sound. These guys are from Detroit, so you know they’re tough. The mood they create reminds me a bit of the DANDY WARHOLS. Really great shit here.” –maximumrocknroll
Just Guys Being Dudes - “Michael "Nips" Kolesky on vocals and guitar. Jordan Teets on drums and violin. Psycho-delic funk punk. Kinda trippy. Kinda punk. A fuck ton of batshit guaranteed.”